Maria Francesca Pepe
Maria Francesca Pepe
Maria Francesca Pepe
Maria Francesca Pepe
Maria Francesca Pepe
It was an utterly utterly surreal fashion moment of EPIC proportions.
En route to the Maria Francesa Pepe presentation I befriended the lovely Miggy of Miggylikestheinternet and ultra fabulous Marian Kihogo as we made our way to Hyde Park corner only to be halted for what seem like forever by the one and only Pope!.
There we were three very unlikely Pope followers in the midst of what can only be described as Pope Mania.
We somehow made it through the crowd and the wait was totally worth what awaited us.
Its an incredible injustice to describe Maria Francesca Pepe's as a mere jewellery designer, as her work is incredibly directional, with more similarities to that of a visionary artist than an accessory designer.
Maria Francesca turned the her 1920s inspired salon presentation into an interactive modern hang out with a live look book filming and shooting (by the amazing photographer Daniel Gil).
The presentation never lost its intimacy though as Pepe and her team happily greeted and talked editors and stylist through the collection.
The Italian born designer showcased incredibly inspired pieces drawing its references from the work of iconic artist Frida Kahlo and her passion for the macabre and ability of turning turn pain into art.
This was manifested through Pepe's approach to the use of accessory as 'jewellery-wear', an external part of the garment and not something to accentuate a look. The multitude of chains united outlining rib cages, spines was a recurring part of the collection.
At its best it formed part of a fabulous exoskeleton (much like Kahlo's paintings who often depicted her defunct back) over simple and light silk crepe chiffon maxi dresses or acid colour jersey pieces.
A somber, yet passionate collection that will no doubt be seen in every major
fashion bible out there.