Marion Cotillard working the stripes and bleached eyebrows for Vogue Paris September Issue
Crystal
Crystal
Crystal
Crystal Renn
Chanel Joins The Big Girl Trend
The "big" girl trend continues with Lagerfeld perhaps desperate attempt to inject some contemporary relevance to Chanel. Which has rightly been criticized for losing it's fashion mystique. Crystal looks great however I wish we could see more of her "curves".
Hot mama Natalia Vodianova works it for the September issue of Vogue Russia which is also the last issue edited by the ever so fucking fabulous Aliona Doletskaya. You will be missed. source: Designscene
It has been a whole fashion year since designer Ann-Sofie Back resumed the position of Creative Director for cult denim label Cheap Monday together with founder Orjan Andersson.
Ms Back seems to have finally settled in her new role as the 'Just Cheap' SS collection proves to be her best one for the brand yet.
The now Stockholm based Sofie has found a brilliant way to communicate her often ironic point of view and pop culture references / comments, in a much more commercially accessible way than in her BACK by Ann-Sofie line. Her points of reference serves as a great narrative to Orjans incredible expertise and passion for denim.
Ironically playing with it's name the collection cites unexpected references of tacky galore, such as Latin Denim Fashions, Italian Diamonte and LA Celebrity taste.
The collection was executed with a very intelligible restraint, through a more fabric focused notion of' 'Cheapness'. Highlights included fabulous knee and ankle high boots in clear plastic that will sure become a must have of the new season. Wide cropped silhouettes with long length skirts, over sized sheer knits, jerseys and wovens came in Nude, Bunny Pink, Mustard and Cloud Grey. The skinny model of jeans was completely abandon and gave way for the new hipster.
The Local Firm belongs to that uber cool members club only part of Swedish fashion together with denim-turned-high-fashion juggernaut that is ACNE, Minimarket, and in many ways also Cheap Monday. Worshipped by fashionistas on a global scale the brands fan base ranges from design obsessed bloggers to seriously cool senior fashion editors.
This season the brand moved away from the knits and darker palette of A/W for an Architecture / Bauhaus inspired collection, in various shades of greys and contrasting materials, clean lines and fashion nerd detailing . Following ACNE's lead the brand is now moving away from it's denim roots for summer by combining a range of sporty materials and cuts that seem less hipster, and much more of like a glimpse of what the fashion gods have prepared for us in this new decade.
The label has cleverly interpreted the 90s revival and incorporated its design aesthetics very naturally. Think 90's Calvin Klein or Courtney Love had she stayed of drugs. Minimal, grungy without fuss and sexy.
Walking into the 'Secret Garden' of designer Ida Sjostedt is a bit like being catapulted into a 1970s version of Alice in Wonderland.The sensory overload presented by the Swede for S/S 11 follows her signature tasteful kitsch, injecting colour into an otherwise very grey outlook for summer by other Swedish labels.Her daring palette of Bollywood inspired glamour with gold sequence high waisted skirts, one shouldered maxi print dresses, leopard print shorts and delicate lace pieces layered for a luxe effects felt familiar yet new and exciting.The tongue-in-cheek valley of the dolls hair and make-up beautifully wrapped the concept of a charmingly playful and confident woman for spring. Sexy, flirty and slightly pornographic in the now infamous ‘Rollergirl’ (character from ‘Boogie Nights’ made iconic by Heather Graham) A stark contrast to the delicate flowers and hard edged imagery we have been seen in recent seasons.Once the catwalk looks are deconstructed and interpreted for everyday life you end up with a fabulous set of individual statement pieces that will no doubt have an everlasting impression in your wardrobe.